He is also involved in major national productions such as Tzai’ri Tel Aviv and the iconic Festigal.

Recent stage projects — Imagine Festigal, Lo Kolel Shirut, Julie, Third Cabaret, Seret Kayitz, and There Will Be No Wedding — highlight his signature integration of live performance, immersive scenography, video art, and generative AI.

 

Vision for Immersive Experiences

At Nick Dreyden · Visual Artist & Multimedia / AI Director, the vision is rooted in both technology and lived history. A child of wars and revolutions, Dreyden works at the intersection of art and art-mainstream, searching for a new poetics of digital sincerity. His practice confronts the age of digital totalitarianism, asking how an individual can evolve, remain authentic, and create beauty in an era dominated by algorithmic systems.

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Technologically, his work integrates AI-driven scenography, neural-network generated frescoes, real-time camera systems, volumetric 180° video environments, and kinetic projection mapping. These tools are not decorative; they function as independent actors within the performance, producing dialogue between stage, screen, and audience.

Artistically, Dreyden has developed a unique intonational method — a way of sculpting rhythm, silence, and visual texture so that performance breathes like music. His multimedia is always embedded in dramaturgy: a video score, a living architecture of images, which mutates and collides with live presence.

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Every project — from large-scale arena shows (Lo Kolel Shirut,), to political multimedia theatre (Beyond the Light, There Will Be No Wedding), to intimate experimental works (Frau Marlene Show, The Seagull) — becomes a laboratory of sincerity. His goal is not spectacle for its own sake, but the creation of immersive poetic experiences that cut through noise and reveal the fragile human core.